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Photographer Robin Hill: The Way He Sees It

Photographer Robin Hill:  The Way He Sees It

 

 

Introduction to Robin Hill.   1:26min.  Interview:  Raymond Elman.  Post-Production:  Lee Skye.  Music: Carmen Cicero. Recorded via Zoom:  11/21/25.  Miami.

 

ROBIN HILL is an award-winning architecture, design, and fine art photographer based in New York and Miami. Born and raised in Nottingham, England, Hill began his career in 1987 in the most inauspicious way by making photographs of toddlers in supermarkets and department stores across London.  He didn’t know at that stage that one day his photographs would be exhibited at the Guggenheim Museum in New York and Bilbao in Spain, or grace the pages of the world’s leading design publications such as Vanity Fair, Wallpaper* and Architectural Digest.  Architecture is the cornerstone of his work; perspectives colliding and geometries intersecting, light playing with shadow and whimsy dancing with rigor, a philosophy of action that has led him to work with many of the world’s leading architects including Herzog and de Meuron, Zaha Hadid, and Arquitectonica. 

Hill first became known in the world of architecture through his photographs of MiMo buildings, which is a movement to preserve post-war modern architecture in Miami and resulted in the seminal exhibition “Beyond the Box,” which debuted at the Municipal Art Society in New York City and resulted in the publication of “MiMo: Miami Moden Revealed” (Chronicle Books 2004). The first of more than twenty books that Hill has collaborated on. Hill became involved with other media hosting the EMMY award winning “ART 360” on PBS and delivering keynote lectures at the Sarasota Design Conference and the Wolfsonian Museum in Miami. Hill received the AIA award for Florida in 2015 as the Architectural Photographer of the Year.

 

— https://www.robinhill.net/index

 

The videos below were recorded via Zoom, are organized by Success Factor, and run between 30 seconds and 4 minutes. Click on any video. You must be connected to the Internet to view the videos.

 

 

EXPOSURE TO BROAD INFLUENCES:   2:22 min.

Where did you grow up and what was your first awareness of art of any discipline?

 

SERENDIPITY:   1:00 min.

Where did you go to school? And did you study photography in school?

 

SERENDIPITY:    2:49 min.

What were your first steps toward becoming a professional photographer after university?

 

SEIZES OPPORTUNITIES:    0:51 sec.

What was the nature of the Dodd Miller photograph you purchased?

 

CREATES A UNIQUE PERSONAL BRAND:   1:47 min.

Tell us about the evolution of your vision and subject matter.

 

SEIZES OPPORTUNITIES:    2:58 min.

How did you become an architecture photographer?

 

SEIZES OPPORTUNITIES:   1:16  min.

Why did you move to Miami?

 

INSIGHT & INSPIRATION:    1:32 min.

All of the art communities of Miami began to blossom in the 1980s when exciting, edgy, talented people started to do interesting things here. Did you engage with those communities?

 

CREATIVE FLEXIBILITY:    3:26 min.

Tell us how you use intentional camera movement to transform objects.

 

CRITICAL THINKING:    2:37 min.

Another area of focus for you is design. What inspired your interest?

 

CRITICAL THINKING:    1:19 min.

Tell us more about Philip Johnson’s glass house.

 

SERENDIPITY:  1:41 min.

Tell us about the artwork on the wall behind you.

 

UNDERSTANDS ARTISTS’ NEEDS:    2:36 min.

Tell us about the evolution of the camera equipment you use. Did you initially resist digital photography?

 

UNDERSTANDS ARTISTS’ NEEDS:    2:02 min.

Smartphone cameras are pretty good these days (2026). Do you use them in your work?

 

SEIZES OPPORTUNITIES:    0:33 sec.

What are some of your favorite projects?

 

INSIGHT & INSPIRATION:    3:00 min.

Who are some of your favorite photographers?

 

CREATES A UNIQUE PERSONAL BRAND:    1:18 min.

Tell us about your new book.

 

OVERCOMES CHALLENGES TO SUCCEED:    3:42 min.

Tell us about a challenging situation with a successful outcome.

 

RESILIENCE:    0:25 sec.

How many years had to pass before you could laugh at your encounter?

 

CRITICAL THINKING:    1:48 min.

What’s your favorite movie?