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Gonzalo Garcia: New Artistic Director of Miami City Ballet

Gonzalo Garcia: New Artistic Director of Miami City Ballet

Introduction to Gonzalo Garcia. 1:01 min. Interview: Raymond Elman.  Post-Production: Lee Skye.  Music: Karen Gomyo. Recorded  10/9/2025.  Miami City Ballet.

 

On August 11, 2025 GONZALO GARCIA  became the new Artistic Director of Miami City Ballet.  He is a celebrated international artist, mentor, and arts leader whose 25-year career spans two of the most prestigious ballet companies in the United States: San Francisco Ballet and New York City Ballet. He brings to Miami City Ballet a global perspective, deep artistic integrity, and a vibrant vision that balances classical tradition with creative expansion.

Born in Zaragoza, Spain, Garcia began his ballet training at the age of eight under the legendary teacher María de Ávila. At 15, he became the youngest-ever gold medalist at the Prix de Lausanne, which launched his path to San Francisco Ballet, where he rose to principal dancer in 2002. During his decade with the company, he became known for his dramatic depth and technical command, leading acclaimed productions of GiselleRomeo and Juliet, and The Nutcracker, while also originating roles in works by Helgi Tomasson, Mark Morris, and Lar Lubovitch.

In 2007, Garcia joined New York City Ballet as a principal dancer—one of the few artists in the company’s history to be hired externally at that rank. Over his 15 years with NYCB, he became one of the company’s most compelling artists, renowned for his interpretations of George Balanchine and Jerome Robbins masterworks including ApolloDances at a GatheringThe Four Temperaments, and Prodigal Son. He also originated roles in numerous contemporary ballets by Justin Peck, Alexei Ratmansky, and Christopher Wheeldon, and was notably coached by Mikhail Baryshnikov for Robbins’ Opus 19/The Dreamer.

Garcia’s relationship to the Balanchine legacy is deep and enduring—not only as a dancer shaped by Balanchine’s vocabulary, but as a current stager and interpreter of his works. After retiring from performance in 2022, he was appointed Repertory Director at NYCB, where he coached leading dancers in ballets including JewelsSymphony in CA Midsummer Night’s Dream, and Swan Lake (Balanchine). As faculty at the School of American Ballet—the institution Balanchine himself founded—Garcia became the only non-alumnus on staff, entrusted with mentoring the next generation in the very technical style Miami City Ballet continues to uphold.

He has also appeared as a guest artist and teacher across the globe, with engagements at Paris Opera Ballet, Mariinsky Theatre, Compañía Nacional de Danza, Juilliard, ABT’s JKO School, and more. Fluent in Spanish and English, he has led bilingual outreach initiatives and collaborated with development and marketing teams to connect ballet to broader audiences. His creative work beyond the stage includes directing and consulting for campaigns with Apple, Tiffany & Co., and The New York Times. His honors include the Princess Grace Award, Isadora Duncan Award, and a nomination for the Benois de la Danse.

https://www.miamicityballet.org/

 

The videos below were recorded at Miami City Ballet, are organized by Success Factor, and run between 30 seconds and 5 minutes. Click on any video. You must be connected to the Internet to view the videos.

 

INSIGHT & INSPIRATION:    1:55 min.

What town did you grow up in? And what was your first awareness of art of any discipline?

 

SERENDIPITY:    1:03 min.

Describe your experience with having a twin brother.

 

PERSEVERANCE FURTHERS:    5:25 min.

How did you make the leap between Spanish folk dancing to ballet?

 

INSIGHT & INSPIRATION:    0:52 sec.

Does your twin brother share your world-class physicality?

 

DEVELOP A VOICE:     3:49 min.

Was your first professional experience in Spain?

 

SERENDIPITY:      1:47 min.

Had you visited the United States before going to San Francisco to dance?

 

INSIGHT & INSPIRATION:       2:32 min.

After studying with María de Ávila and her daughter, were there other dancers and choreographers that you wanted to work with?

 

UNDERSTANDS ARTISTS’ NEEDS:      1:01 min.

It’s interesting that you are inspired by the people you work with every day and by the iconic figures of ballet, even though they exist in different worlds.

 

SELF-CONFIDENCE:       1:46 min

Mikhail Baryshnikov had an interesting film career. Do you have any desire to act?

 

SEIZES OPPORTUNITIES:      4:41 min.

How did your transition from the San Francisco Ballet to the New York City Ballet happen?

 

COMMUNITY VALUES:      1:48 min.

Was it difficult to step into the New York City Ballet as a principle dancer?

 

CRITICAL THINKING:       1:29 min.

You seem to have a good system of values for being an artistic director.

 

COLLABORATION:      2:38 min.

Did you have a chance to interact with Lourdes Lopez when you were both working in New York City?

 

CRITICAL THINKING:      2:03 min.

George Balanchine, who led New City Ballet, was arguably the most important choreographer in America. Did he have the same reputation abroad?

 

UNDERSTANDS ARTISTS’ NEEDS:     0:40 sec.

Clyde Scott, who has been creating visual expressions of New World Symphony performances for 23 years, has been experimenting with AI.

 

UNDERSTANDS THE BUSINESS OF ART:   4:13 min

Were you recruited by Miami City Ballet? Or did you know in advance that Lourdes Lopez was going to retire?

 

SERENDIPITY:      1:12 min.

What country is your husband from?

 

UNDERSTANDS THE BUSINESS OF ART:     3:51 min.

How did you develop the skills and behaviors required to lead a dance company?

 

INSIGHT & INSPIRATION:      2:33 min.

What is your vision for Miami City Ballet over the next four years and beyond?

 

SEIZES OPPORTUNITIES:      0:44 sec.

It will be exciting to see if you can collaborate with arts organizations from other disciplines.

 

COMMUNITY VALUES:     1:53 min

Tell us about some of Miami City Ballet’s community outreach programs.

 

OVERCOMES CHALLENGES TO SUCCEED:      1:34 min. 

Describe a challenging situation with a successful outcome.

 

INSIGHT & INSPIRATION:      2:04 min.

What’s your favorite movie?

 

UNDERSTANDS THE AUDIENCE’S PERSPECTIVE:     0:46 sec.

One of my pet peeves is that most of my Gen Z students don’t watch movies that were released before they were born.

 

SERENDIPITY:      1:16 min. 

A nod to Steven Spielberg.